AARON ASHTON HUNT

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Chicago Tribune

“There is also typically strong work from…Aaron Hunt as Collette’s faithful and troubled secretary.”
-Chris Jones review of Colette Collage (Jacques) for Porchlight Music Theatre  

“…there’s a splashy performance to enjoy from Aaron Hunt as Big Sister, an Orwellian dictator with an injection of the fabulous.”
-Chris Jones review of Straights (Big Sister) for Bailiwick Repertory
 
“Two weepy old-timers (played with immaculate exaggeration by LeBron Benton and Aaron Hunt) emcee, singing “We’ve Only Just Begun” to start things rolling.”
​-Sid Smith review of Tony ‘n’ Tony’s Wedding (Aunt Marty) for Piper’s Alley

CHICAGO SUN-TIMES

“There are many strong, distinctive supporting performances, including…Aaron Hunt as the outraged Bishop of Coventry.”
-Hedy Weiss Review of  Edward II (Bishops of Coventry) for The Journeymen
 
“And Aaron Hunt maintains a calm air of cunning in a ‘Mama Rose’ drag turn.”
​-Lucia Mauro review Ruthless! (Sylvia St. Croix) for Porchlight Music Theatre

THE MONROE GUARDIAN, Toledo, Ohio

“Aaron Hunt played two of the roles and brought a beautiful comic sense to each. The performer has a subtle style and nice sense of timing which marks him as someone to watch in the future.”
-Dan Rowe review of Singin’ in the Rain (Roscoe Dexter) for Westgate Dinner Theatre 

 GAY CHICAGO MAGAZINE

“…Ruthless! is delivered at a brisk pace by a winning cast, most notably…Hunt’s cross-dressed St. Croix.” 
-Jeff Rossen review of Ruthless! (Sylvia St. Croix) for Porchlight Music Theatre

HYDE PARK HERALD

“Aaron Hunt was a hoot as he pattered to his pillow, unable to sleep without frightening dreams.” 
M.L. Rantala review of Iolanthe (The Lord Chancellor) for The Gilbert & Sullivan Opera Company 

CHICAGO FREE PRESS

“Aaron Hunt has a richly mined cameo as a disgruntled goldsmith…”
 Lawrence Bommer review of The Comedy of Errors (Goldsmith) for First Folio Shakespeare Festival                                                                    
“Aaron Hunt has a fine cameo as good old Gonzalo, the dreamer of a ‘utopia’ straight out of Sir Thomas Moore.” 
Lawrence Bommer review of The Tempest (Gonzalo) for First Folio Shakespeare Theatre; 

 WINDY CITY TIMES

 “…Aaron Hunt…has the best lines and delivers them with drop-dead precision.” 
Jonathan Abarbanel review of The Most Fabulous Story Ever Told (Man in Audience/Father/Pharaoh/Trey) for Bailiwick Repertory Theatre

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